在这部金碧辉煌剧情片中,传统的福建人重家庭、重家族，是一批海洋观念深厚的人群。 近年来，他们却纷纷背井离乡，如潮水般涌向海外。一方面他们中一些人去了国外不回来了，另一方面内地来的打工者又源源不断地奔赴这些沿海地区,衍生出一些乱象。 年轻人追求享乐如飞蛾扑火，中年人“找生活”也不甘示弱。 酒醒时分，能否再续昨夜的醉梦？ 这是一部自由的电影，荒诞而真切，恬静而迷狂，那些宿醉后的悲伤，那些追寻后的虚妄, 从城市到乡村，从陆地到海岛,杂糅成一幅当今福建沿海地区的风情画.
In the wake of China's open-door policy in the early 1980's, Fujian was one of the first Chinese coastal provinces to be opened to the outside world. Many of the male residents opted to go abroad for work, leaving behind their wives and families. Two decades later, Fujian is a microcosm of Chinese modernity: there are palatial suburbs populated by lonely "remittance widows"; neon-lit discotheques frequented by karaoke kids; coastal villages inhabited by impoverished fishermen and city centers dominated by gangs, snakeheads and language schools acting as fronts for organized human trafficking. The Neon Knights-Amerika, Roppongi and their friends, so nicknamed because of the places their emigrÄ- fathers live-use their imported digital video-cameras to film wealthy remittance widows in trysts with their local lovers. They then proceed to blackmail the women, and use the proceeds to finance a night-life of drink, drugs, girls and karaoke. Amerika is the mastermind of the scheme, Roppongi ...
福建的忧郁。纪录的生活。我在悉尼电影节看Fujian Blue。关于金碧辉煌Fujian Blue。Fujian Blues。
