在这部景观社会纪录片片中,
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.
声画对位的社会学读本——评电影《景观社会》及G.Debord其他作品。转------Guy Debord其人其影。另一种方式让你看到希望。资料补充。《景观社会》：快跑，旧世界在你身后。笔记。社会是由巨大的景观堆砌而成的。摘。
